Metallica: Thank You, Quebec City!

Quebec City! Thanks for the great night at Festival d’été de Québec!

© 2017 Blackened Recordings

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Gram Parsons/Emmylou Harris-“Love Hurts” from “Grievous Angel”

Grievous Angel was the second solo album by Gram Parsons, compiled from 1973 sessions and released four months after his death. It received great critical acclaim upon release, but failed to find commercial success, a fate shared with his previous efforts solo and with The Flying Burrito Brothers. Grievous Angel peaked at number 195 on the Billboard charts. Despite its modest sales, it is viewed as a successful example of the hybrid between country and rock and roll Parsons called “Cosmic American Music”.

In 2003, the album was ranked number 429 on Rolling Stone magazine’s list of the 500 greatest albums of all time.

The released album almost certainly deviates from the intended track listing Parsons had. Parsons’ widow, Gretchen, who had never cared for Harris’ relationship with her husband, moved her originally prominent presence on the original front cover of the album (the album being credited on that cover to “Gram Parsons with Emmylou Harris” and featuring a photograph of the two of them) and relegated her to a simple credit on the back cover. Additionally, Gretchen removed the original title track, “Sleepless Nights” and replaced the cover with a simple image of Parsons in a sea of blue. The rearranged album was released in January 1974.

After a ramshackle tour in the spring and summer of 1973, Gram Parsons again convened with his singing partner Emmylou Harris, various members of Elvis Presley’s “Hot Band”, including James Burton and Glen Hardin and the occasional guest (such as Bernie Leadon and Linda Ronstadt) to record his second solo album for Reprise Records. Lacking much-needed new material, Parsons quickly wrote two songs during the sessions (“Return of the Grievous Angel”, with lyrics by Boston-based poet and Parsons fan Thomas Brown; “In My Hour Of Darkness”, arranged by Harris) and looked to songs rejected for previous albums and to standard country songs to flesh out the scant material he came up with. In regards to the original material, “Brass Buttons” dated from Parsons’ brief stint as a Harvard-based folksinger in the mid-1960s; “Hickory Wind” had already been recorded with The Byrds; “$1000 Wedding”, about Parsons’ aborted plan to wed the mother of his daughter in ostentatious style, had been recorded in a plodding arrangement with the Flying Burrito Brothers circa 1970; “Ooh Las Vegas” had been rejected from GP.

In spite of the dearth of new material, the album took what its predecessor had presented and expanded the format of “Cosmic American Music”. With the album in the can, Parsons set off for Joshua Tree, California, where he would fatally overdose on September 19, 1973, dying the next day in nearby Yucca Valley.

The three tracks recorded during the sessions that had gone unreleased, “Sleepless Nights”, “The Angels Rejoiced in Heaven Last Night” and “Brand New Heartache”, were released on the posthumous 1976 Parsons/Flying Burrito Brothers album Sleepless Nights.


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Faces of Meth 2013


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The Monkees – “The Monkees” (Deluxe Edition) (Mono) [Full Album]

“The Monkees” (Deluxe Edition) (Mono) [Full Album] 01. 00:00 “(Theme From) The Monkees” 02. 02:22 “Saturday’s Child” 03. 05:10 “I Wanna Be Free” 04. 07:41 …


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The Yardbirds Tangerine “Pre Led Zeppelin”

As with several Led Zeppelin tunes, “‘Tangerine’ was a song dating back to Jimmy’s Yardbirds’ days”.[3] Page explained “I’d written it after an old emotional upheaval and I just changed a few of the lyrics for the new version”.[1] It has been suggested that it may have been influenced by his relationship with Jackie DeShannon, whom he had been involved with around the time.[4] On April 4, 1968, the Yardbirds recorded “a very similar demo called ‘Knowing That I’m Losing You'”[5] during their last recording sessions at the Columbia Studios in New York City.[6] Page composed the music and the Yardbirds’ singer Keith Relf contributed the words.[7][8] The lyrics, that “smack[ed] of the classic flower-child-isms of Keith Relf”,[2] included:

Measuring a summer’s day
You’ll only find it slips away to gray
The hours will bring you pain[9]

“Knowing That I’m Losing You”, along with the other demos recorded during their last sessions, have been seen as half-hearted attempts by the Yardbirds to meet contractual obligations.[4][7] In 2000, several of these appeared on the Yardbirds’ compilation Cumular Limit; however, Page did not consent to the use of “Knowing That I’m Losing You”.

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Prince’s Shadiest/Divo Moments

Prince’s Shadiest/Divo Moments is finally here, I hope you guys like the video. Don’t forget to comment, rate, share and subscribe so you don’t miss any future uploads.
Coming up soon: Michael Jackson, Madonna, 5th Harmony and One Direction.


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The Clash – Train in Vain (Audio)

The Clash – Train In Vain (Audio) Click to listen to The Clash on Spotify:…

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Say you stand by your man
Tell me something I don’t understand
You said you love me and that’s a fact
Then you left me, said you felt trapped

Well some things you can explain away
But my heartache’s in me till this day

[Chorus] Did you stand by me
No, not at all
Did you stand by me
No way

All the times
When we were close
I’ll remember these things the most
I see all my dreams come tumbling down
I won’t be happy without you around

So all alone I keep the wolves at bay
There is only one thing that I can say


You must explain why this must be
Did you lie when you spoke to me

Did you stand by me
No, not at all

Now I got a job
But it don’t pay
I need new clothes
I need somewhere to stay
But without all these things I can do
But without your love I won’t make it through

But you don’t understand my point of view
I suppose there’s nothing I can do


You must explain why this must be
Did you lie when you spoke to me?

Did you stand by me
Did you stand by me
No, not at all
Did you stand by me
No way
Did you stand by me
No, not at all
Did you stand by me
No way


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The Hollies “I’m Alive”

“I’m Alive” written by Clint Ballard, Jr. was recorded by The Hollies on May 5, 1965 and released on the Parlophone label in the UK and Imperial in the US becoming their first No 1 hit in the UK. It was included on the US version of the 1965 Hollies album, Hear! Here! and is found on the 6 CD box set, The Hollies Clarke Hicks & Nash Years, The Complete Hollies April 1963 –October 1968 on EMI and 30th Anniversary Collection on Capitol. This sound recording is administered by EMI. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education not for monetary gain.


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